Art & Coffee at The Beaumont, Friday 22nd May 2026: All the Colours of Patrick Heron

Greetings!

I hope you will be able to join us

on Friday 22nd May, 11.30am (for about an hour)

at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ

to further explore the life, times & art of Patrick Heron (1920-1999) at Eagle’s Nest in St Ives, where he engaged with abstraction in the pursuit of colour.

June Horizon [1957; The Hepworth Wakefield; c/o artuk.org]

There’ll be lots to look at and discuss – I hope you’ll be able to come along!

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The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.

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Notes:

Very interesting books:

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Art, Books & Culture Research Group at The Beecroft, Saturday 30th May 2026 – The Scientist & The Occultist: Post-War Surrealism

I hope you will be able to join us on

Saturday 30th May, 11.15am (for about an hour & a half)

at The Beecroft Art Gallery, Southend-on-Sea.

as we continue our research into the ‘long decade’ of 1950s Britain, from the end of World War II to Pop Art.

This month we’ll look at the ideas and paintings of post-war British Surrealists, in particular the art of Desmond Morris (the Scientist) and Ithell Colquhoun (the Occultist).

Left: Desmond Morris (1928-2026) The Last Serenade [1959; desmond-morris.com]

Right: Ithell Colquhoun (1906–1988) Autumnal Equinox [1949; Rediscovering Art by Women; artuk.org]

There’ll be plenty to see & discuss as always!

Tickets are £10 (cash) on the door and include coffee & a biscuit at The Jazz Centre afterwards.

Looking forward to seeing you!

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A new book that may be of interest in this context: Surrealism of Angst: Emmy Bridgwater by Silvano Levy (Paul Holberton Publishing)

Surrealism of Angst explores the extraordinary work of Emmy Bridgwater (1906–1999), the British Surrealist artist who has long been unjustly overlooked. Born in Birmingham, Bridgwater became associated with the Birmingham Surrealists in 1937 and joined the London Surrealist Group three years later. Her haunting imagery—sinister birds, savage cats, scenes of mutilation and violation—forms a visual language of disquiet and emotional intensity. This book reclaims Bridgwater’s place in the Surrealist canon, revealing a profound and often unsettling vision that is as innovative as it is affecting.

And Emmy Bridgwater’s art will be included in an exhibition “Surreal Solihull” at the Midlands Art Centre, Birmingham from 24 Oct 2026 to 10 Jan 2027.