Resources for Art, Artists & the Ballets Russes

Jacques Emile Blanche (French, 1861-1942) Nijinksy in Les Orientales [1912; c/o Christies]

Greetings! I’ve gathered together a few resources & references (books & online links) that might hopefully be useful for further research into our Summer theme of “Art, Artists & the Ballets Russes”…

The film footage of Anna Pavlova dancing The Dying Swan is on YouTube [here]

Apollo’s Angels: A History of Ballet by Jennifer Homans

a fascinating history of classical ballet which takes us from its origins in 18th century France through the Italian influence in the 19th century, the dominance of Russia in the late 19th and early 20th century, up to the present and ballet’s uncertain future [Granta Books]

Voices of British Ballet An excellent podcast on the ballet generally (and it’s definitely worth a listen, also look at the website for images) as well as the Ballets Russes is: https://voicesofbritishballet.com/podcast/diaghilev-round-table/

Diaghilev and Friends by Joy Melville

Melville’s major biography of the Russian impresario brings to life an age of daring sophistication and hedonistic pleasure set against the backdrop of a swiftly changing world [Haus Publishing]

Diaghilev and the Golden Age of the Ballets Russes: 1909-1929 by Jane Pritchard & Geoffrey Marsh (Eds.)

[Drawing] on little-seen collections at the V&A [this exhibition catalogue looks at Diaghilev’s] life, his work, his cultural milieu and, most importantly, the actual processes of creating a ballet while working with some of the foremost creative thinkers of the period [V&A publishing]

Jane Pritchard’s Blogposts at the V&A: https://www.vam.ac.uk/blog/author/jane-pritchard

The Rite of Spring by Gillian Moore

On 29 May 1913, at the Théâtre des Champs-Elysées in Paris, a new ballet by Diaghilev’s Ballets Russes, choreographed by Vaslav Nijinsky, received its premiere. Many of the cultural big names of Paris were there, or were rumoured to have been there: Debussy, Ravel, Proust, Gertrude Stein, Picasso. When the curtain rose on a cast of frenziedly stamping dancers, a near-riot ensued, ensuring the evening would enter the folklore of modernism [Bloomsbury Publishing]

The Rite of Spring is available on DVD; also on YouTube: https://www.youtube.com/watch?v=OKZ4VBsflXM&list=RDOKZ4VBsflXM&start_radio=1

Bloomsbury Ballerina: Lydia Lopokova, Imperial Dancer and Mrs John Maynard Keynes

by Judith Mackrell

Born in 1891 in St Petersburg, Lydia Lopokova lived a long and remarkable life. Her vivacious personality and the sheer force of her charm propelled her to the top of Diaghilev’s Ballet Russes. Through a combination of luck, determination and talent, Lydia became a star in Paris, a vaudeville favourite in America, the toast of Britain and then married the world-renowned economist, and formerly homosexual, John Maynard Keynes [Orion Publishing]

Goncharova: the Art and Design of Natalia Goncharova by Anthony Parton

In 1914 Diaghilev, the director of the famous ‘Ballets Russes’ invited Goncharova to make designs for “The Golden Cockerel” which was staged at the Paris Opera. The staggering success of this production opened up new creative horizons for her and she remained in Paris to become one of Diaghilev’s ‘resident’ designers [ACC Art Books].

Rosie Lesso’s blogposts at The Thread explore the Ballets Russes painters and designers (& more): https://blog.fabrics-store.com/2021/05/23/from-russia-with-love-diaghilev-and-goncharova/

Burlington Magazine essay about Picasso in London (1919) and the Bloomsbury Group by James Beechey and Richard Shone: https://www.burlington.org.uk/archive/article/picasso-in-london-1919-the-premiere-of-the-three-cornered-hat

Laura Knight at the Theatre: Paintings and Drawings of the Ballet and the Stage by Timothy Wilcox

[Laura Knight’s] skill in capturing movement, form and colour excels in her drawings and paintings of such legendary dancers as Karsavina in ‘Firebird’ and ‘The Three-cornered Hat’ inspired by the appearances of Diaghliev’s Ballets Russes in London from 1919 to 1929 when she also painted and drew Pavlova and Nemikov, Lopokhova, Spessiva and Tchenicheva… [as well as the] rehearsal studios, dressing rooms, the wings of the stage and curtain calls… [Unicorn Publishing]

As ever, it is also worth exploring Christies; Sothebys; and Bonhams to find art, photographs and even sculpture associated with the Ballets Russes, and there are often very interesting Lot / Catalogue essays.

Enjoy! And do please let me know what else you find!

Ooh, look at this: a 30 seconds-long archive film of the Ballets Russes rehearsing in 1928 c/o BBC here.

Laura Knight: Waiting in the Wings [no date; Bonhams]

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the common viewer notes… “Words & Pictures”: new books for September

Greetings! I’ve been looking ahead a little, and there are some fabulous books coming up that might be of interest to our (as I like to think of it) Art, Books & Culture Research Group (!):

This is actually just out: Artists, Siblings, Visionaries: The lives and loves of Gwen and Augustus John by Judith Mackrell – a great dual biography moving between early 20th-century London and Paris to document Augustus and Gwen’s very different searches for personal and artistic freedom: a powerful portrait of two prodigiously talented artists and visionaries, whose experiments with form and colour created some of the most memorable work of the early twentieth century (Pan Macmillan; June 2025).

Another dual biography coming soon (September) takes us back to the 18th-century: Mrs Kauffman and Madame Le Brun – The Extraordinary Entwined Lives of Two Eighteenth-Century Painters by Franny Moyle: With vivid storytelling… [Moyle] examines how each artist navigated fame, scandal and exile; explores the relationships between them and their peers; and considers how they were caught up in the huge cultural cross-currents that were reshaping Europe (Bloomsbury).

In September too, novelist Damian Barr‘s new book The Two Roberts is a fictional re-telling of the lives of another two artists, Robert MacBryde and Robert Colquhoun: a profoundly moving story of devotion and obsession, art and class. It is a love letter to MacBryde and Colquhoun, the almost-forgotten artists who tried to change the way the world sees – and paid a devastating price [Canongate]. There’s an interview with the author c/o The Fleming Collection, here: https://www.flemingcollection.com/scottish_art_news/news-press/the-two-roberts-artists-lovers-outsiders.

Trying to change the world was also the spur for the Artists International Association, a rarely recognised network of British artists, and so important, especially in the 1930s. With a foreword by the always-fabulous Frances Spalding, Comrades in Art: Artists Against Fascism 1933-1943 by Andy Friend arrives in September and promises to be an exceptional survey [bringing] to life the captivating drama of the organisation as it rapidly grew to command the allegiance of a majority of Britain’s aspiring and established artists, offering new insights into art and culture during this decade of political extremes [Thames & Hudson]. Having been lucky enough to see a copy already, I noted how gloriously illustrated it is, which is very exciting indeed!

A Lady Reading by Gwen John [c.1909; Tate; c/o artuk.org]

All best & happy reading, the common viewer

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@thecommonviewer

British Art Groups 1830s-1930s

Early 20th century Art & Visual Culture: London, Paris, Moscow & beyond.

“Nancy Cunard – An Uncommon Viewer”

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Art, Books & Culture at The Beecroft, Saturday 30th August 2025: Art, Artists and The Ballets Russes – Part 2: French and British Artists

Greetings!

I hope you will be able to join us

on Saturday 30th August, 11.15am (for about an hour & a half)

at The Beecroft Art Gallery, Victoria Avenue, Southend

Sergei Diaghilev brought the shock and awe of the Ballets Russes to Paris and London with sets designed by Russian artists including Bakst, Roerich and Goncharova; but what was the response of French and British artists? Matisse and Picasso were inspired by the Ballets and would go on to create sets for further performances. In Britain, artists such as John Lavery and Laura Knight would paint glorious portraits of the ballerinas and behind-the-scenes views of the stage.

Today we’ll explore how these artists and others welcomed Ballets-Russes mania in the 1910s and 20s.

John Lavery: Anna Pavlova (dancing the “Autumn Bacchanal”)
[c.1911; Glasgow Museums; see http://www.artuk.org/artworks/anna-pavlova-18811931-84785 for details]

It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.

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In case you missed it, this year’s Proms performance of Stravinsky’s music “The Rite of Spring” (1913) is on BBC i-player: https://www.bbc.co.uk/sounds/play/m002gr8h

Art & Coffee at The Beaumont, Friday 15th August 2025: The Art of Georgia O’Keeffe

Greetings!

I hope you will be able to join us

on Friday 15th August, 11.30am (for about an hour)

at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ

to explore the art of Georgia O’Keeffe (1887-1986).

Renowned for her over-sized flowers with their textural detail and intense colours, we’ll follow O’Keeffe’s career as an artist through her paintings of New York skyscrapers to the symbolic skulls of Ghost Ranch.

Georgia O’Keeffe’s “Pink Spotted Lilies” from 1936, c/o Christie’s

There’ll be lots to look at and discuss – I hope you’ll be able to come along!

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And I’ve been plotting further explorations for the next few months:

Friday 19th September. We’ve been looking at the work of John Lavery very broadly as a cosmopolitan artist. In September, I thought we’d pick up on his Irish heritage to look not only at another aspect of his work (and asking how his portrait of Hazel Lavery ended up on the Irish pound note from 1928), as well as the art of his contemporary Irish artists.

Friday 17th October. Lavery is considered as one of The Glasgow Boys (we met George Henry and Edward Atkinson Hornel at the beginning of the year), and in October we’ll look at other artists associated with the group, with a focus on Arthur Melville whose paintings will take us from Spain to Egypt and beyond.

And how better than to end the year in our November and December meetings (dates to be confirmed) by looking at the generation of artists inspired by The Glasgow Boys: The Scottish Colourists who gloried in Post-Impressionism and would refine a very sophisticated style for the 1920s Jazz Age?

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The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.

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Art, Books & Culture at The Beecroft, Saturday 26th July 2025: Art, Artists and The Ballets Russes – Interlude: Matisse in Moscow

Greetings!

I hope you will be able to join us

on Saturday 26th July, 11.15am (for about an hour & a half)

at The Beecroft Art Gallery, Victoria Avenue, Southend

As Sergei Diaghilev was bringing the shock and awe of the Ballets Russes to Paris and London, so Sergei Schukhin was bringing the shock and awe of Post-Impressionism to Moscow with a collection of art that included work by Monet, Cezanne, Gauguin, Picasso and Matisse. Conservative critics were, of course, appalled, but a younger generation of artists, including Malevich and Goncharova, were thrilled and inspired by this private collection of radical new paintings.

Then, as we shall explore today, in 1911, Matisse himself visited Russia…

Henri Matisse (1869-1954): Dance II [1910; Hermitage, St Petersburg]

It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.

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Art & Coffee at The Beaumont, Friday 18th July 2025: The Art of John Lavery – from Grez to Hollywood (Part 2)

Greetings!

I hope you will be able to join us

on Friday 18th July, 11.30am (for about an hour)

at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ

to explore the art of John Lavery (1856-1941) from his time in Grez-sur-Loing as an art student through his beautiful society portraits, glorious Tangier seascapes and delicious depictions of leisure and pleasure from the French Riviera to Hollywood!

There’ll be lots to look at and discuss – I hope you’ll be able to come along!

The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.

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Art, Books & Culture at The Beecroft, Saturday 5th July 2025: Art, Artists and The Ballets Russes (Part One)

Greetings!

I hope you will be able to join us

on Saturday 5th July, 11.15am (for about an hour & a half)

at The Beecroft Art Gallery, Victoria Avenue, Southend

to explore impresario Sergei Diaghilev’s radical new ballet. Each performance was a unique collaboration of composers, choreographers and – at the heart of our discussion today – artists, including Nicholas Roerich, Natalia Goncharova, Pablo Picasso and Giorgio de Chirico. The impact of the Ballets Russes on European and British visual culture was immense – from interior design to fashion and painting – and so we’ll also look at British artists, in particular John Lavery and Laura Knight, who both portrayed the stars of the Ballets Russes in their work.

John Lavery: Anna Pavlova (1881-1931); Glasgow Museums; http://www.artuk.org/artworks/anna-pavlova-18811931-84785

It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.

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Art & Coffee at The Beaumont, Friday 20th June 2025: The Art of John Lavery – from Grez to Hollywood

Greetings!

I hope you will be able to join us

on Friday 20th June, 11.30am (for about an hour)

at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ

to explore the art of John Lavery (1856-1941) from his time in Grez-sur-Loing as an art student through his beautiful society portraits, glorious Tangier seascapes and delicious depictions of leisure and pleasure from the French Riviera to Hollywood!

There’ll be lots to look at and discuss – I hope you’ll be able to come along!

The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.

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Art, Books & Culture Research Group: some resources for John Lavery

Sir John Lavery (1856-1941): Spring in a Riviera Garden [detail; 1921; Sothebys]

As ever, the best place to start is Art UK, which has 389 paintings by John Lavery that are in public collections. I’ve put them in date order: here. When you click on an image that interests you, scroll down as there is often a link to the Gallery’s website with further detailed information.

Then Christies [here], Sothebys [here] and Bonhams [here] not only have fabulous images of paintings that are in private hands (and have been to auction), but usually when you scroll down there is a fully-researched catalogue essay.

The Ulster Museum website has a good introduction to John Lavery [here], and Kenneth McConkey has written about Lavery’s seascapes on Art UK [here].

Indeed Kenneth McConkey is the authority on John Lavery as curator of exhibitions and writer of catalogues, including:

John Lavery: Diary of a Painter [2010; Publisher: Atelier Books; ISBN: 9781873830215]

and Lavery on Location [2023; published by National Galleries of Ireland; 9781911716020] which is from the most recent Lavery exhibition and there’s a podcast/film “In Conversation with Kenneth McConkey” on YouTube [here].

With hope these might be useful starting points!

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Art, Books & Culture at The Beecroft, Saturday 31st May 2025: The Life, Art & Times of John Lavery (Part 2)

Greetings!

I hope you will be able to join us

on Saturday 31st May, 11.15am (for about an hour & a half)

at The Beecroft Art Gallery, Victoria Avenue, Southend

to explore the art of John Lavery (1856-1941) from his Belfast roots to student days in Paris, from one of the Glasgow Boys to official war artist, and far beyond via scenes of modern life, international travel and portraits of the great, the good and the fashionable…

My snapshot from John Lavery’s “The Family of King George V” [1913; Royal Collection Trust] which is currently on show as part of The Edwardians: Age of Elegance exhibition at The King’s Gallery. (For the exhibition website / overview click here: The Edwardians)

It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.

Please note: I’m afraid I need to change the date of our next meeting from 28th June to 5th July – apologies!

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