at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ
to explore the art & times of Franz Xaver Winterhalter (1805-1873) a German artist who found favour at the royal courts of Europe, especially Napoleon III’s Versailles, as well as with Queen Victoria and her family… Indeed his portraits “King Edward VII when Prince of Wales” and “Queen Alexandra when Princess of Wales” [both 1864; Royal Collection Trust] are currently on display in The Edwardians: Age of Elegance exhibition at The King’s Gallery (for exhibition overview / website click: The Edwardians).
There’ll be lots to look at and discuss – I hope you’ll be able to come along!
The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.
on Saturday 26th April, 11.15am (for about an hour & a half)
at The Beecroft Art Gallery, Victoria Avenue, Southend
to explore the art of John Lavery (1856-1941) from his Belfast roots to student days in Paris, from one of the Glasgow Boys to official war artist, and far beyond via scenes of modern life, international travel and portraits of the great, the good and the fashionable…
My snapshot from John Lavery’s “The Family of King George V” [1913; Royal Collection Trust] which is currently on show as part of The Edwardians: Age of Elegance exhibition at The King’s Gallery. (For the exhibition website / overview click here: The Edwardians)
It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.
at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ
to explore the Pont-Aven art colony in Brittany where artists such as Paul Gauguin and Emile Bernard painted and experimented to create pictures of the local landscape and people full of rich colour and symbolism that would influence artists across Europe.
Paul Gauguin “Paysage de Bretagne. Le moulin David” [1894; Musee d’Orsay]
Meeting a community of artists along the way, we’ll explore the significance of artists’ colonies and their broader impact. There’ll be lots to look at and discuss – I hope you’ll be able to come along!
The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.
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A new book by Sue Prideaux that might be of interest to you:
“Prideaux conjures Gauguin’s visual exuberance, his creative epiphanies, his fierce words and his flaws with acuity and sensitivity. Drawing from a wealth of new material and access to the artist’s family, this myth-busting work invites us to see Gauguin anew” (2024; Faber & Faber).
Early 20th century Art & Visual Culture: London, Paris, Moscow & beyond.
“Nancy Cunard – An Uncommon Viewer”
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Exhibition: Through a Bauhaus Lens: Edith Tudor-Hart and Isokon
To celebrate the 90th anniversary of the opening of the Isokon Flats, the Isokon Gallery in Hampstead is pleased to announce Through a Bauhaus Lens: Edith Tudor-Hart and Isokon, an exhibition of previously unseen 1933–4 photographs by the Viennese, Bauhaus-trained photographer Edith Tudor-Hart (until November 2025)
on Saturday 29th March, 11.15am (for about an hour & a half)
at The Beecroft Art Gallery, Victoria Avenue, Southend
to continue our exploration of the influence of Japanese art on European artists in the late 19th century, including James Abbott McNeill Whistler in London and George Henry of The Glasgow Boys group.
It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.
at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ
to discuss the development of artists’ colonies in Scotland in the late 19th century and their interconnections with European art movements.
James Guthrie: Hard At It [1883; Glasgow Museums Resource Centre (GMRC); artuk.org]
Meeting a community of artists along the way, we’ll explore the significance of artists’ colonies and their broader impact. There’ll be lots to look at and discuss – I hope you’ll be able to come along!
The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.
on Saturday 22nd February, 11.15am (for about an hour & a half)
at The Beecroft Art Gallery, Victoria Avenue, Southend
to explore the influence of Japanese art on European artists in the late 19th century, including among others Claude Monet and Vincent Van Gogh in Paris, James Abbott McNeill Whistler in London and George Henry of The Glasgow Boys group.
It’ll be a feast for the eyes, with lots to see and much to discuss – do come along if you can, it’s open to everyone! Please note a £10 request on the door to cover Lecture Theatre hire costs as well as tea/coffee/biscuits at the Jazz Centre downstairs afterwards.
Greetings! It was fabulous to see so many people at The Beecroft on Saturday to look at the art of John Singer Sargent (1856-1925). As we were saying, it was essentially an introduction – Sargent created an enormous number of extraordinary and diverse artworks from grand ‘society portraits’ for exhibition to more relaxed paintings of friends and family who travelled in Europe with him. So I thought it might be useful to flag up some of the books on Sargent for further reading:
I’d especially recommend that first book pictured, the Tate’s “John Singer Sargent” by Elizabeth Prettejohn:
This fascinating introduction explores the life and work of Sargent, contextualising his practice within the times he lived. Beginning with his cosmopolitan childhood in Europe and studio training in Paris, it charts his rise to fame and establishment as a leading portraitist internationally, up until his final works during the outbreak of the First World War. Touching on his travels, his friendships and the personal connections that influenced his practice, this a true celebration of an extraordinary artist and his paintings, which continue to captivate today.
A number of recent exhibition catalogues are available at Southend Central Library, including “Sargent and Fashion” which explores the dynamic relationship of painting and dress — from portraits and performance, gender expression and the New Woman, to the pull of tradition and the excitement of new ideas.
Of note, too, is that there is going to be an exhibition of Sargent’s work this year at Kenwood House, Hampstead from 16th May to 5th October:
Heiress: Sargent’s American Portraitswill gather together, for the first time, eighteen magnificent portraits of women once dismissively known as the “Dollar Princesses”. A war-time nurse, a helicopter pilot and the first sitting female MP among them, the exhibition will reveal the often-overshadowed lives of these fascinating American women who crossed the Atlantic to marry British aristocrats in an exchange of money for titles.On the centenary of his death, the exhibition will be a salute to John Singer Sargent (1856-1925), the most admired and sought-after portraitist of the Gilded Age on both sides of the Atlantic. These portraits represent some of his most glamorous and powerful works. In addition to full-length oil paintings, masterful charcoal portraits will also feature, depicting their subjects in a candid and perceptive light.Heiress: Sargent’s American Portraitsis curated by English Heritage with the charity drawing upon the expertise of Richard Ormond CBE, renowned Sargent scholar and the artist’s great-nephew who is exhibition consultant.
and it is worth noting that Devon Cox has a biography of Sargent coming out – apparently, hopefully – towards the end of the year “Beyond Beauty: A Portrait of John Singer Sargent” (although there are few details as yet).
As always, a good place to start for images is artuk.org which represents paintings in public collections across Britain:
also searching on Christie‘s and Sotheby‘s is always rewarding as they often have a detailed Lot Essay about individual works.
Hoping this is useful, and please let me know of anything else you come across on John Singer Sargent that you think I should share and I’ll add it in. Happy researching!
on Friday 21st February, 11.30am (for about an hour)
at The Beaumont, Barchester Care, 15 Cannon Hill, Old Southgate, N14 7DJ
to discuss the late-19th century artists’ colony at Grez-sur-Loing in France. Our guide will be John Lavery (1856-1941) who stayed at the colony through 1883-4.
Meeting other artists along the way, we’ll explore the significance of the artists’ colony and its broader impact. There’ll be lots to look at and discuss – I hope you’ll be able to come along!
The discussions are for everyone, whether residents or local community. Please note a £3 on-the-door request to cover the cost of coffee and biscuits. With all thanks to Barchester Health Care.
Perhaps one of their most intriguing works, we’ll look at the artists individually, their involvement in the Glasgow Boys art group, and the collaborative inspiration that led to The Druids painting.
This is a gentle discussion open to everyone, both residents and from the local community.
A £3 charge on the door covers coffee and biscuits.
With thanks to Barchester Care for their support. I hope you will be able to join us!
thecommonviewer 